Ed Ruscha has a solo exhibition at the Ferus Gallery. At the opening he meets actor Dennis Hopper, whose 1961 photograph Double Standard, taken on the corner of Santa Monica Blvd and Melrose Avenue through his car windshield, is used in the show’s announcement. Hopper buys Standard Station, Amarillo Texas (1963), which was featured in the exhibition. After the opening, Hopper and Ruscha become lifelong friends.
Billy Al Benston has an exhibition at the Mizuno Gallery, lit only by candlelight, which features some of his Dentos series.
Judy Chicago takes out an ad in Artforum to announce her Fullerton exhibition and her name change. Jerry McMillan takes the photograph, which features Chicago in a boxing ring sporting a sweatshirt with her new name, her friend’s girlfriend standing behind her, and gallerist Jack Glenn crouching in the corner like a boxing manager.
Bruce Conner uses the Dennis Hopper collages as source material for a series of photo etchings produced at Crown Point Press in Oakland, with founding Director Kathan Brown. They are published in three volumes as The Dennis Hopper One Man Show. Conner originally proposed the collages for an exhibition of the same name at the Nicholas Wilder Gallery in Los Angeles in 1967, but Wilder rejected the proposal given the false attribution.
Senga Nengudi receives her MA in sculpture from Cal State LA.
Senga Nengudi organizes the performance Ceremony for Freeway Fets underneath a freeway overpass on Pico Boulevard near the Los Angeles Convention Center. The performance is supported by a Comprehensive Employment and Training Act (CETA) grant and sponsored by Brockman Gallery Productions and the California Department of Transportation. As a part of Studio Z, David Hammons participates.