Judy Chicago creates Fresno State College Atmosphere.
Judy Chicago takes out an ad in Artforum to announce her Fullerton exhibition and her name change. Jerry McMillan takes the photograph, which features Chicago in a boxing ring sporting a sweatshirt with her new name, her friend’s girlfriend standing behind her, and gallerist Jack Glenn crouching in the corner like a boxing manager.
Miriam Schapiro participates in the historic Womanhouse installation with Judy Chicago and 21 other women artists, many of whom are students at the Feminist Art Program. For her contribution, Schapiro and her assistant create The Dollhouse using old liquor crates to create a six-room house featuring a parlor, a kitchen, a movie star’s bedroom, a harem room, a nursery, and an artist’s studio with a male model made of stuffed fabric and a miniature version of Sixteen Windows on an easel.
Sterling Ruby works at the Video Data Bank, an organization cofounded by SAIC. In Ruby’s words: “I wasn’t exposed to a lot of video art until I started my employment as a secretary at the Video Data Bank. Prior to Chicago, I studied at a four-year foundation program in Pennsylvania where I did figure and still life drawing for eight hours a day. Needless to say, there was no video art in the curriculum. After being promoted from the VDB front desk, I learned how to edit and wound up dubbing endurance-based performance art for eight hours a day. I was holding the [Vito] Acconci, [Lynda] Benglis, and [Bruce] Nauman master tapes and it was a nice opportunity to learn the history of video art in parallel to watching the history of performance art.”