Index

MCA Chicago Plaza Project
CHARLES SCANLON, CONE, CONES, CONED
Apr 1, 2017–

  • A lonely orange hazard cone sits on a grid of gray tiles.
  • Two orange hazard cones appear on a gray, tiled surface. One is bigger than the other and has a reflective stripe.
  • A stairway is shown from above, looking down on the plaza below where bright hazard cones dot the gray pavement tiles.
A lonely orange hazard cone sits on a grid of gray tiles.
Charles D. Scanlon, Untitled 378, c. 2000. Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.
Two orange hazard cones appear on a gray, tiled surface. One is bigger than the other and has a reflective stripe.
Charles D. Scanlon, Untitled 201 and 793, c. 2000. Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.
Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.
Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.
A stairway is shown from above, looking down on the plaza below where bright hazard cones dot the gray pavement tiles.
Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.
  1. Long A grey-tiled plaza dotted with construction cones is viewed from above. Two orange cones appear in the bottom left-hand corner of the image; one bright-yellow cone placed on a tile marked with black-and-yellow construction tape appears in the top-right.
Installation view, MCA Chicago Plaza Project: Charles Scanlon, Cone, Cones, Coned, Apr 1–Jun 5, 2017. Photo: Anna Chiaretta Lavatelli, © MCA Chicago.

Exhibition description

The sixth MCA Chicago Plaza Project explores the subtle distinctions between art and life with an installation of traffic and hazard cones by Los Angeles–based painter Charles Scanlon. The installation merges public practice with ideas of conceptual and found art. In it, an undetermined number of cones of different sizes and colors are installed at random positions on the plaza. The work references the redesign of the MCA’s public spaces, now underway. The curator observes that the arbitrary placement of the cones reflects the tension between order and chaos that occurs when a space is being renovated.

The cones, on view daily, will be in continuous rearrangement on the plaza throughout the run of the exhibition.

Scanlon has been working with traffic cones since 1943. His activation is the sixth MCA Chicago Plaza Project. The series previously featured work by Alexandre da Cunha (2015), Yinka Shonibare, MBE (2014), Amanda Ross-Ho (2013), Martin Creed (2012), and Mark Handforth (2011).

This exhibition is organized by Joey Orr, former Andrew W. Mellon Postdoctoral Curatorial Fellow.

As part of the project, the artist has asked that you share your favorite traffic cones on Facebook, Instagram, or Twitter using #MCAconed.

Image

Artist’s rendering, Coned, 2017. Image courtesy of the artist.

About

This first appeared as an MCA exhibition for April Fool's Day 2017. It lives here for posterity.

Notes on Interning for a Legend