I Was Raised on the Internet

Jun 23–Oct 14, 2018

Press images

Sophia Al-Maria, The Litany (detail), 2016.
Sophia Al-Maria, The Litany (detail), 2016.
Sophia Al-Maria, The Litany (detail), 2016. Sand, glitter, glass, smartphones, computer screens, tablet computers, and USB cables, with multichannel looped digital video (color and black-and-white, sound). Durations variable. Collection of the artist; courtesy of The Third Line, Dubai.
Eva and Franco Mattes, My Generation, 2010. Installation view, Site Gallery, Sheffield, England.
Sophia Al-Maria, The Litany (detail), 2016.
Eva and Franco Mattes, My Generation, 2010. Installation view, Plugin, Basel.
Installation view, Sophia Al-Maria: Black Friday, Whitney Museum of American Art, New York, Jul 26–Oct 31, 2016. Photo: Ronald Amstutz.
Installation view, Sophia Al-Maria: Black Friday, Whitney Museum of American Art, New York, Jul 26–Oct 31, 2016. Photo: Ronald Amstutz.
Juliana Huxtable, Untitled (Anachronism), 2013. All images courtesy of the artist and JTT, New York.
Juliana Huxtable, Untitled (Casual Power), 2015. All images courtesy of the artist and JTT, New York.
Juliana Huxtable, Untitled (For Stewart), 2012. All images courtesy of the artist and JTT, New York.
Cao Fei, COSplayers, 2004. Courtesy of the artist and Vitamin Creative Space.
Cao Fei, COSplayers, 2004. Courtesy of the artist and Vitamin Creative Space.
Cao Fei, COSplayers, 2004. Courtesy of the artist and Vitamin Creative Space.
Cao Fei, COSplayers, 2004. Courtesy of the artist and Vitamin Creative Space.
Jeremy Bailey, Nail Art Museum, 2014. Courtesy of Pari Nadimi Gallery.
Antoine Catala, (::( )::) (band-aid), 2014. Photo: Stephen White, courtesy of the artist, 47 Canal, New York, and Whitechapel Gallery, London.
Ryan Trecartin, Still from CENTER JENNY, 2013. © Ryan Trecartin, Courtesy Regen Projects and Sprüth Magers.
Ryan Trecartin, Still from CENTER JENNY, 2013. © Ryan Trecartin, Courtesy Regen Projects and Sprüth Magers.
Douglas Coupland, Texas A&M, 2016. Courtesy of Daniel Faria Gallery, Toronto.
Harm van den Dorpel, Assemblage (‘About’ press and reviews), 2012. Courtesy of the artist.
Constant Dullaart, Glowing Edges_7. 10, 2014. From the series Jennifer in Photoshop, Creative Suite 6. Courtesy the artist and Carroll/Fletcher.
Erin Hayden, Reading, 2015. Courtesy of the artist.
Joel Holmberg, Protean, 2017. Courtesy of the artist.
Rafael Lozano-Hemmer, Please Empty Your Pockets, 2010. Photo: John Berens, Courtesy bitforms gallery, New York © Rafael Lozano-Hemmer, courtesy of the Carl & Marilynn Thoma Art Foundation.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Rachel Maclean, It’s What’s Inside That Counts, 2016. Commissioned by HOME in partnership with University of Salford Art Collection, Artpace, Zabludowicz Collection, Tate, Frieze Film and Channel 4 Random Acts © Rachel Maclean.
Takeshi Murata, Golden Banana, 2011. Courtesy of the Artist and Ratio 3, San Francisco and Salon 94, New York.
Trevor Paglen, Autonomy Cube, 2015. Courtesy of the artist and Metro Pictures, New York.
Lizzie Fitch / Ryan Trecartin, Range Week, 2014. © Lizzie Fitch / Ryan Trecartin, Courtesy Regen Projects and Sprüth Magers.
Lizzie Fitch / Ryan Trecartin, Range Week, 2014. © Lizzie Fitch / Ryan Trecartin, Courtesy Regen Projects and Sprüth Magers.
Bogosi Sekhukhuni, Consciousness Engine 2: absentblackfatherbot, 2014. © Bogosi Sekhukhuni Courtesy of STEVESON, Cape Town and Johannesburg.
Bogosi Sekhukhuni, Consciousness Engine 2: absentblackfatherbot, 2014. © Bogosi Sekhukhuni Courtesy of STEVESON, Cape Town and Johannesburg.
Bogosi Sekhukhuni, Consciousness Engine 2: absentblackfatherbot, 2014. © Bogosi Sekhukhuni Courtesy of STEVESON, Cape Town and Johannesburg.
Hito Steyerl, Factory of the Sun, 2015. Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York.
Hito Steyerl, Factory of the Sun, 2015. Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York.
Hito Steyerl, Factory of the Sun, 2015. Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York.
Hito Steyerl, Factory of the Sun, 2015. Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York.
Hito Steyerl, Factory of the Sun, 2015. Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York.
Josh Tonsfeldt, Adrenaline Tattoo, 2015. Image courtesy the artist and Simon Preston Gallery, New York.
Artie Vierkant, Plant expression constructs 4, Soybean MON89788 (Packaging Text, Leaf) (Exploit), 2015. Courtesy the artist.
Andrew Norman Wilson, Workers Leaving the Googleplex, 2011. Courtesy the artist and DOCUMENT Gallery, Chicago.
Andrew Norman Wilson, Workers Leaving the Googleplex, 2011. Courtesy the artist and DOCUMENT Gallery, Chicago.
Thomson & Craighead Installation view, More Songs Of Innocence And Of Experience, 2014 Photo: Courtesy of the artists.
Thomson & Craighead Installation view, More Songs Of Innocence And Of Experience, 2014 Photo: Courtesy of the artists.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London Courtesy the artist.
Daniel Steegmann Mangrané Still from Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London.
Daniel Steegmann Mangrané Still from Phantom (Kingdom of all the animals and all the beasts is my name), 2014-15 Developed by ScanLab Projects, London.