Assaf Evron

  • A photograph of a light-colored rock formation shows a cross-section of sediment lines.
A photograph of a light-colored rock formation shows a cross-section of sediment lines.
  1. Long A photographic print of a desert scene features a rock formation against a blue sky on a sun-filled day. The formation is made up of layers of sediment colored in a range of cream, sand, tan, and umber. The sun rakes across the surface to reveal the texture of the rock and creates long shadows. The central sediment lines are squiggly, winding horizontally across the surface of the rock. Dark crevices appear at the base of the formation and small, dried-up vegetation grows sporadically across the rocky ground. It appears as though it could dried-up riverbed.
Assaf Evron, Untitled (Sodom and Gomorrah), 2018. Pigment print; 40 × 40 in.
Assaf Evron, Untitled (13 Hess St./17 Bar Ilan St., Herzliya), 2017. Image courtesy of the artist.
Assaf Evron, Untitled (Zedekiah’s Cave), 2018. Image courtesy of the artist.


The work of Assaf Evron (Israeli, b. 1977) dwells at the interstice of architecture, decoration, place, and image. A former photojournalist, the artist uses a wide variety of media to both upend and connect an even wider variety of references, materials, and geographies. While global in scope, Evron’s practice is rooted in a rigorous investigation of local histories and context. The meander, a decorative motif based on natural curves of rivers and streams, wends its way through the artist’s work, which follows the design as it moves from sedimentation lines on the face of Mount Sodom to the ornamental facades of some of Chicago’s most iconic buildings to Rabin Square in Tel Aviv. In this exhibition, Evron traces how different forms of decorative design meander and meet as images across the world, accruing new cultural significance in each collision.

Chicago Works: Assaf Evron is organized by Charlotte Ickes, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago.