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MCA Chief Curator Elizabeth Smith, Director of Collections and Exhibition Services Jennifer Draffen and Senior Preparator Brad Martin examine the exhibition from multiple angles: interpretation, installation and caring for the artworks.
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Fuller's grandson, Jaime Snyder, provides insight on the exhibition.
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K. Michael Hays and Dana Miller, co-curators of the exhibition Buckminster: Starting with the Universe, provide an introductory discussion of Fuller’s significance for today’s world. Allegra Fuller Snyder reflects on her father's formative years and his enduring legacy as a visionary and teacher.
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Installation artist Sarah Sze discusses her influences, ideas, and works. Among other works, Sze talks about her first project at the MCA in 1998/99 and a work in the MCA's collection Proprtioned to the Groove from 2005.
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In this lively conversation, artists Mark Dion, Sarah Oppenheimer, and Rirkrit Tiravanija join landscape designer Walter Hood to discuss Gordon Matta-Clark's influence on contemporary architecture and design and how he continues to inspire their work.
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Koons leads you on a personal tour of the exhibition.
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Holzer studio assistant David Breslin provides insight on the exhibition.
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Distinguished curator, critic and artist Robert Storr examines how Jenny Holzer's silk-screened paintings, which are based on declassified US government documents, communicate meaning and the degree to which they represent continuities and shifts in her artistic practice.
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In this artist talk, Joseph Grigely discusses historical issues related to the visual representation of conversation. Grigely's works probe the idiosyncrasies of everyday communication and explore how sound can be visually rendered. Grigley was ill during the talk and had to stop. He asked friend and artist Stephanie Brooks, who was in the audience, to deliver most of the talk for him.
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In conjunction with the exhibition Take Your Time: Olafur Eliasson, artist Olafur Eliasson discusses past and current projects, the studio, and other aspects that influence his work.
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