Dutch artist Aernout Mik is known throughout Europe for his video installations that stage fictional scenes rooted in reality, producing a dreamy uncertainty about what is really happening. Mik combines filmmaking and sculptural installation into surreal, often semi-apocalyptic scenarios. Refraction depicts the moments after a supposed accident, with a traffic jam visible behind the wreck. Though police, ambulances, and first aid workers stand in shock, no victims are visible. The video continuously shifts between simultaneous shots of onlookers and wreckage, revealing details and wider views. The footage is divided into three scenes which are separately projected onto screens. The overall effect jars with what one might expect in reality, charging the viewing space.
This installation is the second in a series of projects jointly developed by and presented at the MCA; the New Museum of Contemporary Art, New York; and the Hammer Museum, Los Angeles, with the purpose of stimulating the creation of new work by artists not yet well-known or widely exhibited in the United States. Aernout Mik was born in The Netherlands in 1962 and currently lives and works in Amsterdam. The MCA's presentation is coordinated by Pamela Alper Associate Curator Dominic Molon.